St. Lorenz (St. Lawrence) is a medieval church of the former free imperial city of Nuremberg. The nave of the church was completed by around . In 1439, work began on the choir in the form of a hall church in the late German sondergotik style of gothic architecture. The choir was largely completed by 1477 by Konrad Roriczer, although Jakob Grimm completed the intricate vaults.
In the choir one can find the carving of the Angelic Salutation by Veit Stoss, and the monumental tabernacle by Adam Kraft. The latter is notable for including a prominent figure of the sculptor himself.
The building and furnishing of the church was from the city council and wealthy citizens. This is probably the reason that the art treasures of St. Lawrence were spared during the iconoclasm during the Reformation period. Despite St. Lawrence being one of the first churches in Germany to be Lutheran (1525), the wealthy citizens of Nuremberg wanted to preserve the memory of their ancestors and refused the removal of the donated works of art.
The west facade is articulated richly reflecting the wealth of the Nuremberg citizens. The facade is dominated by the two towers, mirroring St. Sebald and indirectly Bamberg Cathedral with a sharp towering West portal doorway, and a well-indented rose window 9 metres in diameter.
The church was badly damaged during the Second World War and later restored. It is one of the most prominent churches of the Evangelical Lutheran Church in Bavaria.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians.