The sumptuous Würzburg Residence was built and decorated in the 18th century by an international corps of architects, painters, sculptors, and stucco workers under the patronage of two successive Prince-Bishops, Johann Philipp Franz and Friedrich Karl von Schönborn.
The Residence was essentially constructed between 1720 and 1744, decorated on the interior from 1740 to 1770 and landscaped with magnificent gardens from 1765 to 1780. It testifies to the ostentation of the two Prince-Bishops, and as such illustrates the historical situation of one of the most brilliant courts of Europe during the 18th century. The most renowned architects of the period - the Viennese, Lukas von Hildebrandt, and the Parisians Robert de Cotte and Germain Boffrand - drew up the plans. They were supervised by the official architect of the Prince Bishop, Balthasar Neumann, who was assisted by Maximilian von Welsch, the architect of the Elector of Mainz. Sculptors and stucco-workers came from Italy, Flanders, and Munich. The Venetian painter Giovanni Battista Tiepolo frescoed the staircase and the walls of the Imperial Hall.
As a result of a devastating air raid on March 16, 1945, the residence was almost completely burnt out and only the central building with the Vestibule, Garden Hall, Staircase, White Hall and Imperial Hall survived the inferno, their roofs destroyed. From the attic the fire ate down through wooden ceilings and floors, and all the furnishings and wall panelling which had not been stored elsewhere were devoured by the flames. Much of the furnishing and large sections of the wall panelling of the period rooms had been removed in time and thus escaped destruction. Neumann's stone vaults withstood the collapse of the burning attic. However, because the roofs had gone, further damage was incurred in the ensuing period due to dampness. In the Court Chapel, for example, most of the ceiling frescoes by Rudolph Byss succumbed to the subsequent consequences of the fire, in spite of the intact vault, and had to be laboriously reconstructed.
From 1945 to 1987, the building and its interiors were reconstructed to their current state. The residence gives consummate testimony to the imposing courtly and cultural life of the feudalistic era of the 18th century, but at the same time its varied use today is an example of modern utilisation and preservation as a monument of ahistorical structure.
The Würzburg Residence with its Court Gardens and Residence Square was inscribed in the UNESCO World Heritage List in 1981.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.