After the Old Palace burned down, the new town residence (Neues Schloss) for Margrave Friedrich von Brandenburg-Bayreuth was begun by Joseph Saint-Pierre in 1753. Margravine Wilhelmine had considerable influence on its final form, designing some of the rooms herself, including the Cabinet of Fragmented Mirrors and the Old Music Room with its pastel portraits of singers, actors and dancers. The Palm Room with its outstanding walnut panelling is a typical example of the Rococo style in Bayreuth.
On the ground floor of the New Palace today the museums 'Margravine Wilhelmine's Bayreuth' and 'Bayreuth Faience – Rummel Collection' with outstanding items from the Bayreuth Manufactory can be seen. The faience collection covers the whole period of production from its beginnings until 1788. The Gallery Rooms contain Dutch and German paintings from the 18th century.
The rooms of the small but remarkable Italian Palace are an impressive example of the 'Bayreuth rococo' style in its later manifestation with the flower tendrils, trellis rooms and grottos that were its typical features.
References:Visby Cathedral (also known as St. Mary’s Church) is the only survived medieval church in Visby. It was originally built for German merchants and inaugurated in 1225. Around the year 1350 the church was enlarged and converted into a basilica. The two-storey magazine was also added then above the nave as a warehouse for merchants.
Following the Reformation, the church was transformed into a parish church for the town of Visby. All other churches were abandoned. Shortly after the Reformation, in 1572, Gotland was made into its own Diocese, and the church designated its cathedral.
There is not much left of the original interior. The font is made of local red marble in the 13th century. The pulpit was made in Lübeck in 1684. There are 400 graves under the church floor.