Banz Abbey, now known as Schloss Banz, is a former Benedictine monastery. It was founded in about 1070 by Countess Alberada of Schweinfurt and her husband, Count Hermann of Habsberg-Kastl, and until the secularisation of 1803 was the oldest monastery on the upper Main. In the late Middle Ages and until 1575 only members of the nobility were accepted as monks.
After the Thirty Years' War the abbey had to be re-built. The abbots Eucharius Weiner and Kilian Düring commissioned Johann Leonhard Dientzenhofer and after his death in 1707, his brother Johann Dientzenhofer. Construction began in 1698. The church, built in of Baroque style, was consecrated in 1719. The interior is unexpectedly built, not with right angles, but with a series of ellipses. The main altar, the chancel and the statues of saints in the church and on the facade are by Balthasar Esterbauer; the ceiling frescoes are by Melchior Steidl. The choir stalls were made by the court cabinet maker and ebonist of Schönborn, Johann Georg Nesstfell.
In the second half of the 18th century Banz Abbey was known throughout the Holy Roman Empire as a place of Catholic enlightenment and for the scholarship of its monks. This did not save it from secularisation and dissolution in 1803.
In 1813 Duke Wilhelm in Bavaria, acquired the former abbey premises, which were thereafter known as Schloss Banz.
In 1933 Duke Ludwig Wilhelm in Bavaria, sold the buildings to the Community of the Holy Angels, an order dedicated to the spiritual care of expatriate Germans. Since 1978 the former monastery has been in the possession of the Hanns Seidel Foundation, an organisation closely associated with the political party the CSU in Bavaria, and is used as a conference centre. It also accommodates a collection of fossils and other curiosities, such as Egyptian mummies.
The estate of the former monastery, including vast forests, is today owned by Duke Max Emanuel's eldest daughter Sophie, Hereditary Princess of Liechtenstein.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.