Ellwangen Palace is a prominent landmark and a symbol of the town of Ellwangen.
Perched imperiously on a ridge overlooking the former monastery town of Ellwangen, the palace was first mentioned in historical records in 1266. Known as the abbots’ castle, the fortified structure provided a grand home to the abbots of the Benedictine monastery in Ellwangen. The old walls of the castle complex, dating back to the time of the Medieval Hohenstaufen dynasty, are still partly visible. However, in later years, Ellwangen’s prince-abbots altered, expanded and renovated their residence with astounding regularity.
Between 1603 and 1608, the palace was remodelled in Renaissance style, on the orders of Prince-Provost Johann Christoph I von Westerstetten. This design – a four-sided structure built on a trapezium-shaped floorplan, with towers in all four corners – still defines the appearance of the complex today. The Arkadenhof, a courtyard bounded by three stories of elegant arcaded balconies, is a remarkable architectural achievement.
After a fire a century later, the palace was renovated in the Baroque style. In addition to lavishly redecorated interiors, the new features included a double staircase, completed in 1726, a mansard roof on the main building, and the majestic Thronsaal (throne room).
In the early 19th century, many church territories were officially annexed by German states. As a result, Ellwangen Palace passed into the possession of the royal family of Württemberg. In 1815 and 1816, the banished king of Westphalia, Jérôme Bonaparte – a brother of Napoleon – and his wife Katharina, the daughter of the king of Württemberg, had some rooms refurbished prior to taking up residence.
Today, the palace provides an atmospheric setting for theatre performances, which take place here every year throughout the summer. The former rooms of the prince-provosts were converted into a museum in 1908. Both the Throne Room, which is often used for concerts due to its excellent acoustics, and the Tower Room provide a unique view of the town of Ellwangen.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.