Ellingen belonged to the Teutonic Order from 1216 onwards and was the Residence of the Territorial Commander of the Bailiwick of Franconia. This was the most powerful bailiwick in the Teutonic Order, and the small town of Ellingen thus represented the centre of a far-reaching territorial and economic power.
At the time when today’s palace was built, however, the Teutonic Order had already become a charitable institution for the lower aristocracy. The site of today’s palace was previously occupied by various medieval buildings, as well as a highly prestigious Renaissance building. Starting in 1708, the present palace grounds were built and the late Gothic church was converted to the Baroque style. The vast main building was built by the architect Franz Keller from 1718 to 1720.
Of the interior decorations, the ceiling frescos, wall panelling, floors and above all the stucco work by Franz Joseph Roth have survived. The colonnade in the inner courtyard is part of the conversion work carried out by French architect Michel d’Ixnard and was newly erected around 1775.
In 1789, the seat of the Bailiwick of Franconia was moved to Bad Mergenheim. This effectively closed the history of Ellingen Palace as the Residence of the Teutonic Order. A few years later, the Order was almost completely dissolved and ownership of Ellingen passed to the Kingdom of Bavaria. In 1815, King Max I Joseph presented the palace to his outstanding field-marshal, Carl Philipp, Prince of Wrede, who had several rows of rooms newly decorated with enormously expensive silk and paper wallpapers, furniture, glass and bronzes from Paris. Together with the stucco work and furniture by Michel d’Ixnard, these rooms are now among the most important interior design works dating from the Classicist period in Bavaria.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.