Municipal House (Obecní dům) is a civic building that houses Smetana Hall, a celebrated concert venue, in Prague. The Royal Court palace used to be located on the site of the Municipal House. From 1383 until 1485 the King of Bohemia lived in the property. After 1485, it was abandoned. It was demolished in the early 20th century. Construction of the current building started in 1905 and it opened in 1912. The building was designed by Osvald Polívka and Antonín Balšánek. The Municipal House was the location of the Czechoslovak declaration of independence.
The building is of the Art Nouveau architecture style. The building exterior has allegorical art and stucco. There is a mosaic called Homage to Prague by Karel Špillar over the entrance. On either side are allegorical sculpture groups representing The Degradation of the People and The Resurrection of the People by Ladislav Šaloun. Smetana Hall serves as a concert hall and ballroom. It has a glass dome. There is artwork by Alfons Mucha, Jan Preisler and Max Švabinský, too.
Today, the building is used as concert hall, ballroom, civic building, and as the location of cafes and restaurants. Many of the rooms in the building are closed to the public and open only for guided tours.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.