Schloss Weißenstein is palatial residence in Pommersfelden, considered a masterwork of Baroque art. In 1710, Lothar Franz von Schönborn, Prince-Bishop of Bamberg and Archbishop of Mainz, inherited the estate after the local family, the Truchsesse of Pommersfelden had died out. He ordered the construction of a palace as a private summer residence, paid for from his personal wealth. A team or architects including Johann Dientzenhofer, who had previously built the Fulda Cathedral, and Johann Lukas von Hildebrandt, the court architect of the Austrian Emperor Karl VI. The Marstall and park were designed by Schönborn's own court architect, Maximilian von Welsch.
The castle was built between 1711 and 1719 from local sandstone materials. The interior art was finished in 1723. After the death of Lothar Franz in 1729, the palace passed to his nephew Friedrich Karl von Schönborn who had the park expanded. A plan by Balthasar Neumann was however, only partially realized. In the early 19th century, the park was transformed from its original Baroque form into an English landscape garden.
During the Seven Years' War the palace was attacked and damaged by Prussian troops. Minor restoration work was done in the late 19th century. More recently, preservation work has been done in 1975 to 2003.
Today Weißenstein remains the property of the Schönborn family. It is considered a Baroque masterwork and the combination of exterior and well-preserved interiors gives it European importance. The palace and its park are open to the public.
The palace contains the largest private Baroque art collection in Germany, containing over 600 pictures. Baroque and Renaissance artists represented include Peter Paul Rubens, Albrecht Dürer, Titian, Rembrandt and Anthony van Dyck.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.