The Italian Court is a palace in Kutná Hora. Originally, it was the seat of the Central Mint of Prague, named after the Italian experts who were at the forefront of the minting reform. After its reconstruction at the end of the 14th century, the Italian Court became a part-time royal residence.
For many centuries, the Italian Court was the centre of the state economic power: it contained the royal mint and was the residence of the king during his visits to Kutná Hora silver mines. The history of building reaches back to the late 13th century, when it served the function of a town castle: a safe storehouse of the silver ore and an important part of the town fortifications. It was separated from the town itself by moats, which survive in the lower section as cellars; the water in the moat also protected the castle from fires.
Following the reform of the mints by King Wenceslas II, all of the previously functioning coinage-works were situated in the Italian Court and coins of a unified value “the Prague groschen” began to be struck. During the 14th century the castle was completely rebuilt; although the greatest flourishing of the building activity came at the end of the century, under the reign of Wenceslas IV. The reconstruction was done by the workshop of Petr Parléř, which was then completing the church of St. James and starting his work on St Barbara's Church.
The royal mint and the office of the supreme master minter came to an end in the 18th century after the great fire of 1770; the town hall was relocated into the Italian Court.
Currently, the building serves as a museum of coin minting; the most interesting interiors, such as the royal chapel and hall of audience are open to the public.
Inside the authentic cellars here is the museum “Unveiling of the mysterious face of Kutná Hora.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.