The medieval Collegiate Church of Our Lady of Mantes is a large and historically important Catholic church constructed between c.1155 and 1350. Its grandeur, its quirky design and its strong associations with the Capetian dynasty make the church particularly interesting to architectural historians.
Construction of the present church began some time between 1155 and 1170, funded by income from the Commune and by the generous support of the Crown. Building work started with the raising and reinforcing of the ground along the north of the site, where the land slopes steeply down to the river. The design was on a grand scale but with a relatively simple plan, initially featuring neither transepts nor radiating chapels (though the latter were added later). The nave was completed up to the gallery vault level by around 1190. The high vaults were in place by around 1200 with the roof completed by 1240. The western facade was completed up to the base of the towers some time before 1225. The western towers are mainly 13th century work, except for the upper parts of the north tower, which was only completed in the late 15th century. Both towers had become dangerously unstable by the mid 19th century and were substantially rebuilt to a simpler design by the local architect Alphonse Durand. Its proximity to a strategic river crossing meant that the church was at the centre of heavy aerial bombardment following the allied invasion of France in 1944. In spite of this the church survived WWII relatively unscathed, even though most of the surrounding town was flattened.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.