The Château du Verduron owes its original fame to Louis Blouin, who held the prominent position of head valet in the court of Louis XIV of France from 1704 until 1715. Other distinguished owners of the property included Victorien Sardou, the French dramatist and one-time mayor of the Parisian suburb of Marly-le-Roi.
The history of this property is rich and complex. In the Middle Ages, the current site of the Château du Verduron was occupied by the lords of the Montmorency family. The property passed through a succession of owners.
Prior to 1726, the property was occupied by the daughter of Léon Bierry and her husband, named Fresson, who was an attorney serving in the parliament of Versailles. The couple apparently made substantial additions to the existing property. In 1722, Fresson’s heirs sold the domain to César-Pierre Landais de Soisel, Louis XIV’s councilor and secretary. He in turn provided a lifetime lease on the property to Blouin in 1726.
Details of the architectural history of the Château du Verduron are also somewhat unclear. The original core of the building dates from 1665, and is attributed to a certain Guillaume, a well-off Parisian. This original structure was initially modified when occupied by the Fressons.
Initially a simple one-story structure, it passed through a succession of owners following its original construction. In the early 2000s, it was purchased by SCI Le Verduron. The company commissioned COGEMAD to completely restore the building.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.