The château du Saussay is built on the ruins of a 15th-century feudal castle, and is a rare collection of two 18th-century châteaux facing each other at the entrance to a Romantic park surrounded by water. Inside, their reception rooms evoke the lives of their inhabitants.
The property of Olivier Le Daim, barber to the French kings from Louis XI to Louis XV, the château was burned by the Spanish during the Wars of Religion.
The owner obtained permission from Henry IV by letters patent to surround the château with water. He then rebuilt the château in the brick-and-stone style. The property of Me de Gaumont, a member of parliament, it was handed down by the women of the Bragelongne family, by Canclaux and finally Colbert at the start of the 19th century.
In 1735 a pavilion - identical in appearance to the original château - was built facing it, to give the appearance (surviving to this day) of two châteaux opening onto a park. Just before the French Revolution, the entry building and raised bridge were demolished and replaced with two elegant pavilions in the style of the architect Nicolas Ledoux (end of the 18th century). In the 19th century the Colberts doubled the size of the main pavilion and endowed the château with a magnificent library.
At the start of the 20th century, the château passed to the Bourbon Busset family, and the park was redesigned by the great landscape artist Achille Duchêne, joining the charm of parks in the English style with classical harmony of gardens in the French style. His redesigned park was made up of three perspectives, several water features, and lawns framed with topiary or planted with rare trees. The académicien Jacques de Bourbon Busset lived in this château, where his children, grandchildren and great-grandchildren still live today.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.