The Château de la Petite Malmaison was built between 1803 and 1805 for Joséphine de Beauharnais, owner of the neighboring Château de Malmaison. It was a reception pavilion adjacent to a large greenhouse, since destroyed. The large greenhouse was begun in 1804 by the landscape architect Jean-Marie Morel and completed by the end of 1805 according to plans by Jean-Thomas Thibault and his partner Barthélemy Vignon.
It was the first time in France that glass was used for such a large surface. The greenhouse of Malmaison can be considered the forerunner of the great glass and metal architecture of the 19th century. It was about 50 by 19 metres and was divided into two distinct sections. The greenhouse itself, heated by twelve large stoves, in which trees 5 metres high could grow. Josephine cultivated plants like jasmine, rose, hydrangea and Parma violet.
Behind and adjacent to it, a building housed a series of salons. A central salon with a rotunda was decorated by Louis-Martin Berthault in 1807, from where it was possible to view rare plants while resting after visiting the greenhouse. The roof was luxuriously decorated and furnished by the best craftsmen of the time such as the marble mason Gilet and the cabinetmaker Jacob Desmalter.
The park was designed in the English style, also by Louis-Martin Berthault, named as landscape designer to the Empress Josephine.
Due to the expense of maintenance, the greenhouse was demolished in 1827. The rooms were partly redecorated in 1828 by the new owner, the Swedish banker Jonas-Philip Hagerman. After the sale of the estate in lots in 1878, in 1887 the Petite Malmaison became the property of Pascal of the Two Sicilies (1852-1904), Count of Bari, youngest son of Ferdinand II of the Two Sicilies, who lived in his Parisian hotel at 8 avenue Matignon, but died in the Petite Malmaison in 1904.
The subdivision of the park separated the Petite Malmaison from the Château de Malmaison. The park, planted with chestnut, cedar, bald cypress, yew and boxwood, is treated as an English park, but the rear has traces of the French style. There is a pond.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.