The Great Synagogue in Plzeň is the second largest synagogue in Europe. A Viennese architect called Fleischer drew up the original plans for the synagogue in Gothic style with granite buttresses and twin 65-meter towers. The cornerstone was laid on December 2, 1888. City councillors rejected the plan in a clear case of tower envy as they felt that the grand erection would compete with the nearby Cathedral of St. Bartholomew. Emmanuel Klotz put forward a new design in 1890 retaining the original ground plan and hence the cornerstone, but lowering the towers by 20m and creating the distinctive look combining Romantic and neo-Renaissance styles covered with Oriental decorations and a giant Star of David. The design was quickly approved and master builder Rudolf Štech completed work in 1893 for the bargain price of 162,138 guilders.
At the time the Jewish community in Plzeň numbered some 2,000. The mixture of styles is truly bewildering; from the onion domes of a Russian orthodox church, to the Arabic style ceiling, to the distinctly Indian looking Aron kodesh. The synagogue was used without interruption until the Nazi occupation of World War II, and the Jewish community that retook possession of the synagogue at the end of hostilities had been decimated by the Holocaust. The synagogue was used as a storage facility during the war and was thereby spared from destruction. The last regular service was held in 1973, and then the synagogue was closed down and allowed to fall into disrepair under communist rule. Restoration was undertaken from 1995-1998, and the synagogue was reopened on February 11, 1998 at a cost of 63 million Kč. The central hall is now often used for concerts from such legends as Joseph Malowany, Peter Dvorský, or Karel Gott, while the walls play host to temporary photographic exhibitions of various causes. The synagogue is still used for worship, but only in what was formerly the winter prayer room. The present number of Pilsner Jews is a little over 70.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.