The East Bohemian Museum was designed by Jan Kotěra, a prominent Czech architect in 1909-1912. Kotěra's initial design, presented in 1907, was criticized for its exaggerated decoration and luxurious design. Moreover, the city did not have sufficient funds for such a grandiose design. Consequently, Kotěra created a new design that was finished in 1908.
The museum is modeled on a classic temple. As far as the decoration is concerned, the entrance is decorated by two sculptures next to the entrance door. These female figures are said to be an allegory of History and Industry. These two are accompanied by a third figure made from bronze. This one is supposed to be a young František Ulrich who became a mayor of Hradec Králové at the age of 36. Although he was young, people hoped that he would lead the city to progress.
Kotěra also designed the interior of the museum as well. Visitors can see furniture in the director’s office, a library, seats made by Thonet Company and wood linings in the lecture hall, lighting and a fountain in front of the main entrance to the museum. The museum interiors are designed in the functionalist style.
The building of the East Bohemia Museum was awaited with mixed feeling of the whole public. Kotěra was known as a young and progressive architect and he confirmed this statement in his works. The asymmetrical design of the building was rejected by Kotěra's teacher, Otto Wagner, but Kotěra prevailed.
In 1995 the building was declared as a national cultural monument and was extensively reconstructed in 1999-2002.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.