The Rua Augusta Arch was built to commemorate the city's reconstruction after the 1755 earthquake. It has six columns (some 11 m high) and is adorned with statues of various historical figures. Significant height from the arch crown to the cornice imparts an appearance of heaviness to the structure. The associated space is filled with the coat of arms of Portugal. The allegorical group at the top, made by French sculptor Célestin Anatole Calmels, represents Glory rewarding Valor and Genius.
Originally designed as a bell tower, the building was ultimately transformed into an elaborate arch after more than a century.
Because of the top cornice's great height, the figures above it had to be made colossal. The female allegory of Glory stands on a three-step throne and holds two crowns. Valor is personified by an amazon, partially covered with chlamys and wearing a high-crested helmet with dragon patterns, which were the symbols of the House of Braganza. her left hand holds the parazonium, with a trophy of flags behind. The Genius encompasses a statue of Jupiter behind his left arm. At his left side are the attributes of writing and arts.
The four statues over the columns, made by Victor Bastos, represent Nuno Alvares Pereira and Sebastião José de Carvalho e Melo, Marquis of Pombal on the right, and Vasco da Gama and Viriatus on the left. The two recumbent figures represent the rivers Tagus and Douro.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.