Ford's Theatre has been used for various stage performances beginning in the 1860s. It is also the site of the assassination of U.S. President Abraham Lincoln on April 14, 1865. After being shot, the fatally wounded president was carried across the street to the Petersen House, where he died the next morning.
The theatre was later used as a warehouse and office building, and in 1893 part of it collapsed, causing 22 deaths. It was renovated and re-opened as a theatre in 1968.
The National Historic Site consisting of two contributing buildings, the theatre and the Petersen House, was designated in 1932.
The Ford's Theatre Museum beneath the theatre contains portions of the Olroyd Collection of Lincolniana. The collection includes multiple items related to the assassination, including the Derringer pistol used to carry out the shooting, Booth's diary and the original door to Lincoln's theatre box. In addition, a number of Lincoln's family items, his coat, some statues of Lincoln and several large portraits of the President are on display in the museum. The blood-stained pillow from the President's deathbed is in the Ford's Theatre Museum. In addition to covering the assassination conspiracy, the renovated museum focuses on Lincoln's arrival in Washington, his presidential cabinet, family life in the White House and his role as orator and emancipator. The museum also features exhibits about Civil War milestones and generals and about the building's history as a theatrical venue.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.