Cahokia Mounds is the largest pre-Columbian settlement north of Mexico. It was occupied primarily during the Mississippian period (800–1400), when it covered nearly 1,600 ha and included some 120 mounds. It is a striking example of a complex chiefdom society, with many satellite mound centres and numerous outlying hamlets and villages. This agricultural society may have had a population of 10–20,000 at its peak between 1050 and 1150. Primary features at the site include Monks Mound, the largest prehistoric earthwork in the Americas, covering over 5 ha and standing 30 m high.
Cahokia Mounds State Historic Site includes 51 platform, ridgetop, and conical mounds; residential, public, and specialized activity areas; and a section of reconstructed palisade, all of which together defined the limits and internal symmetry of the settlement. Dominating the community was Monks Mound, the largest prehistoric earthen structure in the New World. Constructed in fourteen stages, it covers six hectares and rises in four terraces to a height of 30 meters. The mounds served variously as construction foundations for public buildings and as funerary tumuli. There was also an astronomical observatory, consisting of a circle of wooden posts. Extensive professional excavations have produced evidence of construction methods and the social activities of which the structures are further testimony.
Cahokia Mounds is a National Historic Landmark and a designated site for state protection. It is also one of only 23 UNESCO World Heritage Sites within the United States.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.