The Neue Pinakothek is an art museum in Munich. Its focus is European Art of the 18th and 19th century and is one of the most important museums of art of the 19th century in the world. Together with the Alte Pinakothek and the Pinakothek der Moderne it is part of Munich's 'Kunstareal' (the 'art area').
The museum was founded by the former King Ludwig I of Bavaria in 1853. The original building constructed by Friedrich von Gärtner and August von Voit was destroyed during World War II. The ruin of the Neue Pinakothek was demolished in 1949. Designed by architect Alexander Freiherr von Branca the new postmodern building with features such as arched windows, keystones, bay windows and stairways, opened in 1981. It combines a concrete construction with a stone facade design.
The museum is under supervision of the Bavarian State Painting Collections which houses an expanded collection of more than 3.000 European paintings from classicism to art nouveau. About 400 paintings and 50 sculptures of these are exhibited in the New Pinakothek. It has one of the world's leading collections of French Impressionists masterpieces like Pierre-Auguste Renoir, Édouard Manet, Claude Monet, Paul Cézanne, Paul Gauguin etc.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.