The Hamburg Kunsthalle is one of the largest art museums in the Germany. The Kunsthalle has its origins in 1849. The collection grew quickly, and it soon became necessary to provide a building. The original red brick Kunsthalle was built from 1863 to 1869, designed by architects Georg Theodor Schirrmacher and Hermann von der Hude, and financed largely through private donations. The first director became the art historian and educator Alfred Lichtwark (1852–1914). His successor during the interwar period was Gustav Pauli, who also oversaw the completion of the Kuppelsaal (domed-hall) extension, the Kunsthalle's first annex, designed by Fritz Schumacher and erected between 1914 and 1921.
The Kunsthalle is divided into four different sections: the Gallery of Old Masters, the Gallery of 19th-century Art, the Gallery of Classical Modernism and the Gallery of Contemporary Art.
The highlights of the collection include the medieval alters of Master Bertram and Master Francke, 17th-century Dutch paintings, works of early to mid 19th century German Romanticism, and collections of impressionism and classic modernism. The Kunsthalle Museum is also known for its international contemporary art collections and exhibitions, which include post-1950 Pop Art, conceptual art, video art and photography.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.