The Chilehaus is a ten-story office building in Hamburg. It is an exceptional example of the 1920s Brick Expressionism style of architecture. The Chilehaus was designed by the architect Fritz Höger and built between 1922 and 1924. It was commissioned by the shipping magnate Henry B. Sloman, who made his fortune trading saltpeter from Chile, hence the name Chile House. The cost of construction is difficult to determine, as the Chile House was built during the period of hyperinflation that struck Germany during the early 1920s, but is estimated to have been more than 10 million reichsmark.
The Chilehaus building is famed for its top, which is reminiscent of a ship's prow, and the facades, which meet at a very sharp angle at the corner of the Pumpen- and Niedernstrasse. The best view of the building is from the east. Because of the accentuated vertical elements and the recessed upper stories, as well as the curved facade on the Pumpen street, the building has, despite its enormous size, a touch of lightness.
The building has a reinforced concrete structure and has been built with the use of 4.8 million dark Oldenburg bricks. The building is constructed on very difficult terrain, so to gain stability it was necessary to build on 16-meter-deep reinforced-concrete pilings.
The location's close vicinity to the Elbe River necessitated a specially sealed cellar, and heating equipment was constructed in a caisson that can float within the building, so the equipment can't be damaged in the event of flooding.
The sculptural elements in the staircases and on the facade were provided by the sculptor Richard Kuöhl.
The building hosts one of the few remaining working paternosters in the world.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.