Oudenaarde Town Hall was built by architect Hendrik van Pede in 1526–1537 to replace the medieval Schepenhuis (Aldermen's House) that occupied the same site. Another older structure, the 14th-century Cloth Hall, was retained and now forms a sort of extension at the back of the Town Hall proper.
The Oudenaarde Town Hall was a late flowering of secular Brabantine Gothic architecture, carrying on the stylistic tradition of the town halls at Leuven, Brussels, and Middelburg. Above the ground-story arcade with vaulted ceiling, the building displays typical features of its regional forerunners: a richly decorated facade with pointed-arch windows separated by canopied niches, and a steep, dormered roof surrounded by an openwork parapet. The niches, although designed to contain statues, stand empty.
Atop the central belfry tower of six stories with three terraces, a stone crown supports a gilded brass figure of Hanske de Krijger, mythical guardian of the city. The crown on the tower and the double-headed eagles over the attic windows pay homage to a famous visitor to Oudenaarde, Emperor Charles V, who fathered Margaret of Parma here a few years before construction of the Town Hall began.
The Town Hall initially combined functions of government and commerce, with rooms on the ground floor reserved for traders: the Corn House, Weighhouse and Lower Cloth Hall. Today, this floor accommodates the town's tourism office.
On the second floor, an elaborate portal crafted by Pauwel van der Schelden opens into the Schepenzaal, where the aldermen of Oudenaarde convened. The People's Hall takes up the front of the same floor, alongside the terrace overlooking the market square. This was the main room for receptions, banquets and entertainment.
The Town Hall boasts a collection of relics from Oudenaarde's past. The tapestries hanging in the Lower Cloth Hall and the adjacent Cloth Hall building represent an art form that brought the city fame between about the 15th–18th centuries. Another specialty of Oudenaarde during that time was the silversmith's trade, whose wares are displayed in the Silver Room on the third floor. The third floor also houses the Municipal Museum with various local art and artifacts.
The Town Hall and its Belfry were designated by UNESCO as a World Heritage Site in 1999.
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The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.