The belfry of Tournai is a freestanding bell tower of medieval origin, 72 metres in height with a 256-step stairway. This landmark building is one of a set of belfries of Belgium and France registered on the UNESCO World Heritage List.
Construction of the belfry began around 1188 when King Philip Augustus of France granted Tournai its town charter, conferring among other privileges the right to mount a communal bell to ring out signals to the townsfolk.
The tower in its original form was evocative of the feudal keep, with a square cross section and crenelated parapet. It served in part as a watchtower for spotting fires and enemies. The growing city saw fit to expand the belfry in 1294, raising it by an additional stage, and buttressing its corners with four polygonal towerlets. A soldier statue was placed atop each towerlet, and a dragon icon surmounted the entire structure. The dragon, symbol of power and vigilance, also adorns other old tower tops in Belgium, including those of the Cloth Hall of Ypres and the belfry of Ghent.
A fire damaged the building in 1391. In the following years, the city obtained new bells to replace the ruined ones, and affixed gilded decorations to the newly restored top part of the tower: mermen, banners, and a new dragon. The largest bell of this period, called Bancloque, and the fire bell or Timbre, have been preserved to this day. A carillon was added in 1535.
In addition to its other roles, the belfry also served as a jail; some of its chambers housed prisoners until 1827.
The building underwent a major restoration in the mid-19th century. Another renovation campaign began in 1992, and lasted roughly a decade.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.