Male Castle was almost entirely rebuilt and restored after the destruction of World War II. It has housed St. Trudo's Abbey since 1954.
The castle's origins date back to the 9th century, as a defensive tower for protection of the territory around Bruges against the Vikings. Male was held by Philip of Alsace, Count of Flanders, between 1168 and 1191, who replaced the wooden structure with one built of stone, which included a chapel consecrated by the exiled archbishop of Canterbury, Thomas Becket, in 1166.
The castle was a residence of the Counts of Flanders (in 1329 it was the birthplace of Count Louis II, sometimes known as Louis of Male) but was also a stronghold in a much-disputed terrain. French forces occupied it. The city of Bruges retook it from its French garrison in the uprising of 1302. Soldiers from Ghent razed it in 1382 and after it had been rebuilt, ransacked it again in 1453. In 1473 it was burnt out and once again rebuilt: the present keep dates from that rebuilding, and stands with its foundations directly in the moat, now flanked by symmetrical wings. The castle was plundered yet again in 1490 by the forces of the Count of Nassau.
When Flanders became a part of the Burgundian Netherlands Male retained its importance. During the Spanish occupation of the Low Countries, the citadel was sold in 1558 by Philip II to Juan Lopez Gallo.
It was occupied by German troops in both world wars, and was severely damaged. The castle was comprehensively restored after World War II and since 1954 has accommodated St. Trudo's Abbey, a house of the Canonesses Regular of the Holy Sepulchre.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.