Hôtel-Dieu de Lyon was a hospital. First erected in medieval times, the building originally served as a pontifical meeting-place and refuge for both traveling and local members of the clergy (est. 1184). However, when the first doctor Maître Martin Conras was hired in 1454, Hôtel-Dieu became a fully functional hospital, one of the most important in France. As Lyon was a city known for its trade and seasonal fairs, many of the early patients were weary travelers of foreign descent.
In 1532, Hôtel-Dieu appointed former Franciscan/Benedictine monk-turned-doctor and great Humanist François Rabelais, who would write his Gargantua and Pantagruel during his tenure here. Renaissance poet Louise Labé lived just beyond the western limits of the building.
Massive expansion projects in the 17th century by Ducellet (under Louis XIII and Richelieu) and in the 18th century by Soufflot (under Louis XIV and Colbert) replaced the original building with the grandiose wings and courts we know today. In fact, at its greatest point, the hospital extended from its present position beyond Bellecour to engulf the area now occupied by the central post office.
'Hôtel-Dieu' houses the Musée des Hospices Civils a permanent exhibit tracing the history and practice of medicine from the Middle Ages to modern time and includes a fine collection of apothecary vases amongst other objects.
In May 2015, it was announced that the building, which ceased to function as a hospital in 2010, will be converted to a luxury hotel, the InterContinental Lyon, opening in 2018.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.