Langlois Bridge was a drawbridge in Arles, which was the subject of several paintings by Vincent van Gogh in 1888. Being one of eleven drawbridges built by a Dutch engineer along the channel from Arles to Port-de-Bouc, this bridge might have reminded the artist of his homeland.
New canals were opened up in southern France as they were needed to expand the network of canals. In the 19th century a canal was built from Arles to Bouc, located on the Mediterranean sea. Locks and bridges were built, too, to manage water and road traffic.
In 1930, the original drawbridge was replaced by a reinforced concrete structure which, in 1944, was blown up by the retreating Germans who destroyed all the other bridges along the canal except for the one at Fos. The Fos Bridge was dismatled in 1959 with a view to relocating it on the site of the Langlois Bridge but as a result of structural difficulties, it was finally reassembled at Montcalde Lock several kilometers away from the original site.
A reconstructed bridge of the Langlois Bridge, named Pont Van Gogh (Van Gogh bridge), recognizing the works that Van Gogh made of the bridge, is owned by the Arles tourist board.
Vincent van Gogh made several paintings, a watercolor and drawings of the Langlois bridge in a series now titled Langlois Bridge at Arles.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.