The Palace of the Kings of Majorca is a palace and a fortress with gardens overlooking the city of Perpignan. In 1276, King James II of Majorca made Perpignan the capital of the Kingdom of Majorca. He started to build a palace with gardens on the hill on the south of the town. It was completed in 1309.
In 1415, the Holy Roman Emperor, Sigismund of Luxemburg, organised a European summit in Perpignan, to convince the Avignon Antipope Benedict XIII to resign his office and take to an end the Western Schism through the Council of Constance. On 20 September 1415, the Emperor met with Pope Benedict XIII at the palace with the King Ferdinand I of Aragon and the delegations of the Counts of Foix, Provence, Savoy, Lorraine, the embassy of the Roman church for the Council of Constance, and embassies from the Kings of France, England, Hungary, Castille and Navarre. The pope refused to resign and to recognise the Pope that the Council had chosen, clashing with the emperor who left Perpignan on 5 November.
Part of the northern wing of the palace was destroyed in a siege in 1502. Following the Treaty of the Pyrenees in 1659, France gained Roussillon, and proceed to develop the defensive features of the palace.
Architecture
The palace was built in the Gothic style. It is organised around three courtyards 60 m square. The first foremen on the site were Ramon Pau and especially Pons Descoyl, very active in Perpignan and the Baleares. It has two chapels, one above the other: the lower is the Queen's Chapel, while the upper is Holy Cross with a pink marble door.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.