For centuries the Archbishops of Salzburg resided at the Salzburg Residenz and used the palace to present and represent their political status. Today the Salzburg Residenz palace is a museum and one of the most impressive attractions in the city.
The earliest recorded reference to the bishop's palace was in a document dated 1232. Construction began under Archbishop Konrad I. In the 16th century, several changes and additions to the structure were made. The bishop's palace took on its present appearance under the auspices of Wolf Dietrich von Raitenau (1587–1612). In the early 17th century, work began on the south wing, which included the addition of the large staircase and the Carabinieri-Saal, a section that connected the palace to the Franziskanerkirche and a large courtyard.
The successors of Wolf Dietrich continued to expand and refine the palace through to the end of the 18th century. Throughout the centuries, the palace served as the archbishops' residence, as well as a place of public gatherings and state affairs, all taking place in a setting that reflected power and grandeur.
Today, the Salzburg Residenz houses the Residenzgalerie, which presents paintings from the 16th to the 18th century, and Austrian paintings from the 19th century.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.