St. Martin’s Tower is the landmark of the Bregenz. It offers exhibitions and a picturesque, beautiful panorama over Bregenz, the Swiss mountains and Lake Constance.
A warehouse from the time of the city’s foundation c. 1250 originally stood there, which was barely higher than the city wall. The warehouse had a basement, a ground floor higher up and an upper floor. As early as the first half of the 14th century, there was a small chapel room in the upper floor that was separated with wooden walls. In 1362, Count Wilhelm III of Montfort founded St. Martin’s Chapel, which, in the subsequent years, was furnished with magnificent frescos and expanded across the entire upper floor. In the late 15th century, the previously secularly used ground floor was integrated into the chapel room, with the ceiling being torn out, making the room approximately twice as high.
From 1599 to 1601, master builder Benedetto Prato from Roveredo, Grisons, elevated the existing building at the behest of the city. The former warehouse became a tower, on which Prato set a huge wooden dome – a wooden dome that makes St. Martin’s Tower the first characteristic baroque structure in the Lake Constance region. St. Martin’s Tower was the new watchtower of Bregenz. For centuries, the watch performed his service there, whose job it was to warn the city, particularly in the face of fire.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.