Prince Eugene of Savoy (1663-1736), an accomplished general and art connoisseur, built the Belvedere palace as his summer residence. Today, the Belvedere, one of the most important baroque buildings in Austria, is located in Vienna’s third district. However at the time of its construction, the palace was located outside the city gates. Belvedere palace consists of two seperate buildings: the Upper and Lower Belvedere, which are connected by a stunning baroque garden. Enjoy views of Vienna’s first district from the Upper Belvedere. Today it houses not only Austrian art from the Middle Ages to the present day, but also the world's largest Klimt collection, with the golden paintings 'The Kiss' and 'Judith' as the highlights. Masterpieces by Schiele and Kokoschka, as well as works of French Impressionism and the Vienna Biedermeier era round out the exhibition.
Prince Eugene’s apartments and staterooms are located at the Lower Belvedere. The feudal splendor of the palace’s aristocratic original owner is reflected in the Hall of Grotesques, the Marble Gallery, and the Golden Room. The Lower Belvedere and the Orangery are used mainly for temporary exhibitions, while the Palace Stables are now home to some 150 objects of sacred medieval art that blend with the Baroque ambiance in a compelling fashion.
The Palace Gardens are unfolding in strict symmetry along a central axis to the prestige building of the Upper Belvedere and features beautiful sculptures, fountains and cascades.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.