Prince Eugene of Savoy (1663-1736), an accomplished general and art connoisseur, built the Belvedere palace as his summer residence. Today, the Belvedere, one of the most important baroque buildings in Austria, is located in Vienna’s third district. However at the time of its construction, the palace was located outside the city gates. Belvedere palace consists of two seperate buildings: the Upper and Lower Belvedere, which are connected by a stunning baroque garden. Enjoy views of Vienna’s first district from the Upper Belvedere. Today it houses not only Austrian art from the Middle Ages to the present day, but also the world's largest Klimt collection, with the golden paintings 'The Kiss' and 'Judith' as the highlights. Masterpieces by Schiele and Kokoschka, as well as works of French Impressionism and the Vienna Biedermeier era round out the exhibition.
Prince Eugene’s apartments and staterooms are located at the Lower Belvedere. The feudal splendor of the palace’s aristocratic original owner is reflected in the Hall of Grotesques, the Marble Gallery, and the Golden Room. The Lower Belvedere and the Orangery are used mainly for temporary exhibitions, while the Palace Stables are now home to some 150 objects of sacred medieval art that blend with the Baroque ambiance in a compelling fashion.
The Palace Gardens are unfolding in strict symmetry along a central axis to the prestige building of the Upper Belvedere and features beautiful sculptures, fountains and cascades.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.