Melk Abbey is a Benedictine abbey on a rocky outcrop overlooking the Danube river, adjoining the Wachau valley. The abbey contains the tomb of Saint Coloman of Stockerau and the remains of several members of the House of Babenberg, Austria's first ruling dynasty.
The abbey was founded in 1089 when Leopold II, Margrave of Austria gave one of his castles to Benedictine monks from Lambach Abbey. A monastic school was founded in the 12th century, and the monastic library soon became renowned for its extensive manuscript collection. The monastery's scriptorium was also a major site for the production of manuscripts. In the 15th century the abbey became the centre of the Melk Reform movement which reinvigorated the monastic life of Austria and Southern Germany.
Today's Baroque abbey was built between 1702 and 1736 to designs by Jakob Prandtauer. Particularly noteworthy are the abbey church with frescos by Johann Michael Rottmayr and the library with countless medieval manuscripts, including a famed collection of musical manuscripts and frescos by Paul Troger.
Due to its fame and academic stature, Melk managed to escape dissolution under Emperor Joseph II when many other Austrian abbeys were seized and dissolved between 1780 and 1790. The abbey managed to survive other threats to its existence during the Napoleonic Wars, and also in the period following the Anschluss in 1938, when the school and a large part of the abbey were confiscated by the state.
The school was returned to the abbey after the Second World War and now caters for nearly 900 pupils of both sexes.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.