The Imperial family once used Halbturn Palace, Burgenland’s most important Baroque building, as a hunting lodge and summer palace. The palace, in northern Burgenland, and its splendid parklands, is regarded as one of Burgenland’s most esteemed historic attractions.
Halbturn palace was built in 1711 during the reign of Emperor Charles VI by Lucas von Hildebrandt, one of the most important Austrian figures in late baroque architecture. It has gone through good times and bad. Its heyday may well have been the epoch shown in an oil painting from the middle of the 18th century. During the first Turkish siege the imperial stud had been destroyed. The Halbturn estate was mortgaged for several years and passed back into imperial-royal ownership under Emperor Charles VI. After the death of Emperor Charles VI his daughter, Maria Theresia, succeeded to the throne on account of the Pragmatic Sanction of 1740.
In 1765 Maria Theresia acquired Halbturn Palace, part of the estate of Hungarian Altenburg at the time, from the Hungarian crown. She gave it as private property to her favourite daughter, Archduchess Marie Christine, as a present for her wedding to Duke Albert-Casimir von Sachsen-Teschen. For this occasion the baroque artist Anton Maulbertsch was also commissioned to paint the ceiling fresco, “Triumph of Light”.
Halbturn Palace offers a varied programme of art, culture, wine and gourmet food all year round. Fascinating annual exhibitions, high quality concert series, various summer events and the famous Pannonian Christmas Market in the historical setting of the palace draw thousands of visitors and tourists from home and abroad every year.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.