Nancy, the temporary residence of a king without a kingdom – Stanislaw I Leszczynski, later to become Duke of Lorraine – is paradoxically the oldest and most typical example of a modern capital where an enlightened monarch proved to be sensitive to the needs of the public. Built between 1752 and 1756 by a brilliant team led by the architect Héré, this was a carefully conceived project that succeeded in creating a capital that not only enhanced the sovereign's prestige but was also functional. Since 1983, the architectural ensemble comprising the Place Stanislas, the extension of its axis, the Place de la Carrière, and the Place d'Alliance, has been on the list of UNESCO World Heritage Sites.
After the War of the Polish Succession in 1737, the Duchy of Upper Lorraine, of which Nancy was the capital, was given to Stanislaw I Leszczynski, former Ruler of Polish-Lithuanian Commonwealth and father-in-law to King Louis XV of France. An earlier ruler, Leopold, Duke of Lorraine, had undertaken a lot of reconstruction in Lorraine, which had been ravaged by a series of wars. He had surrounded himself by artists and architects, including Germain Boffrand, who trained Emmanuel Héré. Hence, Stanislaw found a pool of talent and experience to draw from on his arrival. The square was a major project in urban planning, dreamt up by Stanislaw I, as a way to link the medieval old town of Nancy and the new town built under Charles III in the 17th century.
In 1831, a bronze statue of Stanislas was placed in the middle of the square.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.