The Main building of Moscow State University, designed by Lev Rudnev, is the highest of seven Stalinist style skyscrapers of Moscow. It is utilized since its inauguration as headquarters of the Lomonosov Moscow State University.
The skyscraper has 36 levels in its central part and is 240 metres tall. Its roof is topped by a 57-metre spire which ends with a 12-ton five-pointed star. Lateral towers are lower than the central one; two 18 and 9 storey dormitory wings define, with the central corpus of the complex, a cour d'honneur courtyard.
The leading architect Boris Iofan bid for the skyscraper project in 1947 but the job was assigned to Lev Rudnev, because Iofan made a mistake placing his draft skyscraper right on the edge of Sparrow Hills, a site concerned with a potential landslide hazard. He set the building 800 meters away from the cliff.
The main tower, which consumed over 40,000 tons of steel for its framework and 130,000 cubic metres of concrete, was inaugurated on September 1, 1953. At 240 metres tall, it was the 7th tallest building of the world and also the tallest in Europe. Its European record lasted up to 1988, when it was surpassed by MesseTurm. It is still the tallest educational building in the world.
Moscow University is probably the best known of Lev Rudnev buildings, for which he was awarded the Stalin Prize in 1949. The University skyline inspired various buildings in the socialist countries, like the Palace of Culture and Science in Warsaw, and also the logo of 1980 Moscow Olympic Games.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.