Documented for the first time in the 13th century the Tratzberg castle was used as former border stronghold against the Bavarians and as Emperor Maximilian’s I hunting lodge. In the late 15th century the former fortress was destroyed by fire. The Emperor did not rebuild Tratzberg but exchanged the ruin for a castle of the Taenzels, wealthy owners of a silver mine. They had built the first late Gothic part of today’s Castle Tratzberg in 1500, in a particularly magnificent way, with artful ornaments made of marble, wood and iron. In 1554, Georg Knight of Ilsung, a wealthy merchant from Augsburg, acquired the castle, expanded and changed Tratzberg according to the spirit of the Renaissance age. Proof of those changes is the splendidly painted courtyard and exquisite Renaissance parlours. In 1590 Tratzberg came into the possession of the Fuggers, a well-known and wealthy family of merchants, who expanded the castle even further. Most of the now conserved inventory is from this time.
After several changes of owners there was a time when Tratzberg was uninhabited for 150 years. When Franz Count Enzenberg married Ottilie Countess Tannenberg in 1847, the rather neglected castle came into the possession of the Enzenberg family, and it has stayed their homestead since then. Thanks to the family’s dedication and efforts the 6800 sqm castle with its 5000 sqm shingle roof became a gem of a 16th century Tyrolean castle again. It is now one of the most important cultural monuments of the country and open to the public.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.