Levide Church is a largely Romanesque church of a character unique for the countryside of Gotland. Parts of the choir, notably the area around the portal, is however comparable to the northern portal of Visby Cathedral in Visby, the main town of the island.
The oldest parts of the church are the aforementioned choir with its apse, dating from the late 12th century. The nave dates from the early 13th century while the tower was erected at the middle of the same century. The sacristy is the only part of the church which is not medieval.
The interior is divided into a nave and two aisles, divided by four massive pillars. The ceiling is supported by nine vaults. The interior thus forms a hall church, and the influences for the layout probably came from German churches of the time. A more direct model was probably what is today Visby Cathedral. The southern wall of the interior is decorated by frescos, probably from the middle of the 15th century and attributed to the so-called Master of the Passion of Christ. They depict apostles and saints, including the Scandinavian saints Ansgar and Bridget of Sweden. In addition, there are some purely decorative frescos, probably from the 13th century. A medieval processional cross (14th century) is also preserved in the church. Of later date is the altarpiece (1662-63) and a votive ship (1748).
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.