Linde Church is a homogeneous Romanesque church. Construction of the presently visible church started in the late 12th century and was finished in the early 13th century. A single, large Gothic window was inserted in the eastern wall in the 14th century.
The external nave and choir portals are both decorated with Romanesque sculptures. Inside, the church is decorated with frescos. On the northern wall is a set of paintings depicting the Passion of Christ, dating from the 15th century. On the western wall is another set, also from the 15th century, depicting women being harassed by devils. Among the church furnishings, the altarpiece from 1521 is especially noteworthy. It depicts God the Father with Christ, with Saint Giles and Saint Olaf on each side of them. Additionally, the doors of the altarpiece contain sculptures of the apostles, Saint Canute, Saint Eric and Saint Bridget. The church furthermore contains a copy of a triumphal cross today kept in the Swedish History Museum. The original dates from the end of the 12th century. The church furthermore rather unusually contains two baptismal fonts. Both are probably from the 12th century, and one may be a work by the stonemason Hegvald.
South-west of the church lie the ruins of a medieval house, probably the former parsonage.
References:The Walls of Constantinople are a series of defensive stone walls that have surrounded and protected the city of Constantinople (today Istanbul) since its founding as the new capital of the Roman Empire by Constantine the Great. With numerous additions and modifications during their history, they were the last great fortification system of antiquity, and one of the most complex and elaborate systems ever built. They were also the largest and strongest fortification in both the ancient and medieval world.
Initially built by Constantine the Great, the walls surrounded the new city on all sides, protecting it against attack from both sea and land. As the city grew, the famous double line of the Theodosian Walls was built in the 5th century. Although the other sections of the walls were less elaborate, they were, when well-manned, almost impregnable for any medieval besieger.