Linde Church is a homogeneous Romanesque church. Construction of the presently visible church started in the late 12th century and was finished in the early 13th century. A single, large Gothic window was inserted in the eastern wall in the 14th century.
The external nave and choir portals are both decorated with Romanesque sculptures. Inside, the church is decorated with frescos. On the northern wall is a set of paintings depicting the Passion of Christ, dating from the 15th century. On the western wall is another set, also from the 15th century, depicting women being harassed by devils. Among the church furnishings, the altarpiece from 1521 is especially noteworthy. It depicts God the Father with Christ, with Saint Giles and Saint Olaf on each side of them. Additionally, the doors of the altarpiece contain sculptures of the apostles, Saint Canute, Saint Eric and Saint Bridget. The church furthermore contains a copy of a triumphal cross today kept in the Swedish History Museum. The original dates from the end of the 12th century. The church furthermore rather unusually contains two baptismal fonts. Both are probably from the 12th century, and one may be a work by the stonemason Hegvald.
South-west of the church lie the ruins of a medieval house, probably the former parsonage.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.