Reichersberg Abbey was founded in the 11th century, when nobleman Wernher von Reichersberg converted his possessions into a monastery. It has been owned by Augustinian Canons since then. The monastery flourished under the guidance of Gerhoh, the third Provost and an eminent theologian. While there, Gerhoh composed his commentary on the Psalms between 1144 and 1148, making much use of the earlier work of Gilbert of Poitiers.
The archbishop of Salzburg gave the abbey a pastoral area on what was then the Hungarian border, where the canons are active to this day. In the mid 16th century master Ulrich Lufftenecker became a teacher at the monastery, and taught students choral singing. Four printed choir books have survived from the second half of the 16th century.
The original monastery was relatively small, built in Romanesque-Gothic style. In 1624 it was destroyed by a fire. During the next years the current large Baroque replacement was erected. The outer courtyard of the monastery has a marble fountain crowned with a figure of St. Michael, the patron of the monastery, made by Thomas Schwanthaler. The Munich court painter Christian Wink completed the frescoes of the church in 1778-79.
In 1779 the monastery was assigned to Austria and thus escaped the secularization of Bavarian monasteries. During the Napoleonic Wars it had to struggle for its existence, but normal monastic activities resumed in 1817. During World War II the monastery was forced to provide a home for a flying school, but avoided being closed down.
Today Reichersberg Abbey has been renovated and is now a cultural center of the Innviertels. The monastery has an extensive library, holding 55,000 volumes. It holds a large collection of religious art, which can be viewed during guided tours. The monastery holds exhibitions, seminars and garden days. It has a shop, a wine shop and restaurant.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.