St. Florian Monastery is the largest monastery in Upper Austria, and one the most impressive examples of Baroque architecture in Austria. The monastery is dedicated to Saint Florian, whose fourth century grave lies beneath the monastery.
The monastery, named after Saint Florian, was founded in the Carolingian period. Since 1071 it has housed a community of Augustinian Canons, and is thus is one of the oldest operational monasteries in the world following the Rule of St. Augustine.
Between 1686 and 1708 the monastery complex was reconstructed in Baroque style by Carlo Antonio Carlone, whose masterpiece is St. Florian's. After his death, Jakob Prandtauer continued the work. The result is the biggest Baroque monastery in Upper Austria. Bartolomeo Altomonte created the frescoes.
Construction of the library wing began in 1744, under Johann Gotthard Hayberger. The library comprises about 130,000 items, including many manuscripts. The gallery contains numerous works of the 16th and 17th centuries, but also some late medieval works of the Danube School, particularly by Albrecht Altdorfer.
In 1827, Polish librarian Father Josef Chmel found one of the oldest Polish literary artifacts, an illuminated manuscript containing the Psalms in Latin, German and Polish in the monastery. Because of the site of discovery, it has been named the Sankt Florian Psalter, and now resides in the National Library of Poland.
In January 1941, the Gestapo seized the facility and expelled the monks. The canons returned after the end of the war.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.