Merano Municipal Museum has already been opened in 1900, it is one of the oldest museums of the province. In that period Franz Innerhofer (1847 - 1918), a physician of Merano, collected Gothic figurines and Baroque paintings of Tyrolean masters with passion. In this way he laid the foundations for the museum. First housed in the building of the English Ladies along the Winter Promenade, the Merano Municipal Museum was transferred several times. It was moved to the tavern Roter Adler in Via delle Corse road and in a final step to the newly renovated Palais Mamming behind the St Nicholas parish church in Merano. Therefor the Merano Municipal Museum is now also known as Palais Mamming Museum.
The permanent collection offers 27 sections and provides an overview of the historical development of the town, from prehistory up to modern art. What you can admire in the museum are the above mentioned Gothic and Baroque figurines and the Baroque paintings of Tyrolean masters, also known beyond borders. Moreover there are exhibits regarding the topics mineralogy and folk art, inculding various traditional costumes, and artworks by painters of Merano of the 19th and 20th century.
Also some exotic exhibits can be admired, including an Egyptian mummy, a death mask of Napoleon as well as a Sudanese weapons collection from the Austrian Major-General Rudolf Anton Carl, Baron of Slatin. One oft he most famous exhibits is also the 4th typewriter model by Peter Mitterhofer, the founder of typewriters, born in the village of Parcines, only a stone’s throw away.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.