Prince Bishops of Brixen commissioned the construction of their fortified castle (called Hofburg) in Brixen in the 13th century. The following centuries brought about numerous revisions to the structure. Around 1600 the splendid renaissance-style interior courtyard was created and decorated with bronze-overlaid terracotta statues by Hans Reichle, the celebrated sculptor from Augsburg. During that same period, the meeting rooms of the grand chancery were decorated with ample heraldic adornments.
Around 1706 Caspar Ignaz began the Baroque style renovation of the palace. It was then that the bishop’s chapel and the imperial wing with its majolica stoves were built; and the ceilings adorned with either paintings by Kaspar Waldmann and Antonio Gresta, or lavish plaster embellishments. Tapestries and the historic furnishings were added as well. In keeping with the fashions of the time, one room was converted into a Chinese cabinet.
Today Hofburg houses the diocesan collection of sacred artworks from the Romanesque period to the Modern age, the treasures of the cathedral of Brixen/Bressanone, works by 19th century Tyrolean artists, a collection of cribs and special exhibitions.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.