Sigismund, Archduke of Austria, had this modest castle (Landesfürstliche Burg) built in central location of Meran in the second half of the 15th century. He probably used this fortress behind the town hall as his private city residence. However, this ensemble of buildings rather resembles an artistically designed, solid building with low enclosure than a fully-developed castle. For this reason it is simply often referred to as “residence”.
Up to the 16th century the Prince’s Castle remained a royal residence. In 1516 also Maximilian I, Holy Roman Emperor, resided in the castle. As the building repeatedly changed hands, it started deteriorating in the course of the centuries. In 1875 the city of Merano purchased the building. Between 1878 and 1880 a restoration period followed, based on the drawings of the internationally famous architect Friedrich von Schmidt, who also directed the renovations of the Dome of Vienna. When these renovations came to an end, the castle was opened also for the public. Today it hosts the Prince’s Castle Museum.
Its wood-panelled ancient parlours, tiled stoves, bedrooms and maiden rooms provide an interesting insight into the life in Mediaeval times. The furniture, however, dates back to the Gothic and Renaissance periods. Also some weapons such as lances and halberds have been preserved. Moreover there is a little chapel decorated with frescoes dating back to the 16th century.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.