Tyrol Castle was the ancestral seat of the Counts of Tyrol and gave the whole Tyrol region its name.
The castle hill has been inhabited since ancient times. Several artefacts and one field of graves from the early Middle Ages have been identified. Archeologists have excavated a church with three apses dating from the early Christian period.
The first castle was built before 1100. The second construction phase including the keep dates to 1139-1140. A third phase of construction took place in the second half of the 13th century under Count Meinhard II of Gorizia-Tyrol. In 1347 Meinhard's granddaughter Countess Margaret of Tyrol was besieged here by the forces of the Luxembourg king Charles IV. The castle remained the seat of Tyrol's sovereigns until 1420, when the Habsburg archduke Frederick IV moved the administrative seat to Innsbruck north of the Brenner Pass.
In modern times parts of the castle fell into the so-called 'Köstengraben', a steep gorge. It was even sold in order to be used as a quarry. In the 19th century the castle was restored; the keep was rebuilt in 1904.
Regarding art history, the frescos of the castle's chapel are of special interest as well as two Romanesque portals with opulent marble sculptures showing legendary creatures, religious themes, and geometric ornaments.
Today, Tyrol Castle houses the South Tyrolean Museum of History. Next to the castle there is a falconry with a nursing ward for birds of prey.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.