Juval Castle (Italian Castel Juval) is located at the entrance of the Schnalstal valley. It derives its name from the Latin name of the mountain, Mons Jovis (mountain of Jupiter).
The oldest account of the castle dates to 1278, when it was owned by Hugo of Montalban. It was probably constructed about thirty years before the first account referencing it. In 1368, it was acquired by the lords of Starkenberg, and in 1540, it passed to Sinkmoser. The period from its construction to the mid 1500s was the castle's heyday.
After several more changes of ownership, in 1813, it was sold to a local farmer, Josef Blaas. The castle fell into disrepair, until in 1913 William Rowland carefully restored it.
Since 1983, it is the summer residence (July and August) of famous mountaineer Reinhold Messner, who has partially converted it into a museum displaying works of Tibetan art and a collection of masks from five continents. A later restoration of the castle was presided over by Vinschgau architect Karl Spitaler. It is one of the venues of the Messner Mountain Museum. The museum is closed in the summer months, when Messner resides in the castle.
Around the castle there is a path open to the public along which there are informational signs relating to the botanical features on the grounds. For private individuals, the castle is accessible only on foot with an hour-long walk or by using a special bus service.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.