The symbol of Val Venosta is quite fascinating and rather like a fable. A solitary church steeple emerges half out of the clear waters of the 6 km long Resia Lake, against the majestic background of the wild Vallelunga Valley. However, the story behind this postcard-like image is far less idyllic and the romantic 14th Century church bears testimony to the irresponsible decision of the State to locate a dam there after the end of the Second World War.
As from 1922, Fascism had taken hold in Italy, including South Tyrol. In 1939, the Montecatini conglomerate began the construction of a of 22-meter deep dam project in Resia, with complete disregard for the sensibilities and remonstrations of the local South Tyrolean population. Construction was suspended after the outbreak of the War and it was hoped that this would mark the end of the project. But in 1947, just two years after the end of the War and much to the dismay of the local population, Montecatini announced that work on the construction of the dam was to be resumed.By the summer of 1950, it was all over. The locks had been tightened and the water was rising, flooding 677 hectares of land affecting 150 families, half of which were forced to emigrate. Compensation was meagre and the inhabitants of the town of Curon, which was completely flooded, were housed in temporary accommodation – basic shacks located at the entrance of the Vallelunga. The dam was the product of fascism and through it hundreds of families lost the basis of their livelihood.
The half-submerged church steeple in the Resia Lake has since been declared a protected historical artefact, becoming a tourist attraction and thus symbolizing the legacy of old Curon.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.