The Château de Portes overlooks the Regordane, an ancient avenue used by the pilgrims of Saint-Giles and the Croisés on their way towards the Holy Land for a distance of ten miles. The Anduze, Randon and Polignac families paid homage to the abbot of Saint-Pierre-de-Sauve for this castle between the 11th and the 14th centuries.
Raymond Guillaume de Budos, the nephew of Pope Clement V, bought the seigniory in 1322, and added at least two additional flanks to the castle in 1384. Thibaud de Budos recovered the castle after deposing his father André, who had joined with the English at the beginning of the Hundred Years' War.
The seigniory became increasingly rich and powerful until Louis XII set it up as a marquisat in favour of Antoine Hercules de Budos, to whom is undoubtedly owed the form of the present castle.
The castle was sold to king Louis XVI in 1781. With the French Revolution, the castle was nationalised and sold to six successive owners. In 1841, in the hands of the Vernede family, the monument was restored from its decrepit condition.
In 1929, following the intensive exploitation of the coal mines under the site, the ground broke down ruining the castle and forcing its evacuation. The village was rebuilt about 300 metres further. Circa 1960, the grounds were stabilised and in 1972 an association was formed to recover the castle. It has been classified as a historical monument since 1984.
The castle has a singular architectural style among castles in Europe because of its 49 degree spurs in the shape of a ship's bow, which earned the castle its nickname of a vessel in the Cévennes.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.