The Stockholm City Museum documents and exhibits the history of Stockholm. It was opened to the public in 1942 and located in the palace completed in 1685. The museum is the largest municipal museum in Sweden, and houses collections which include 300,000 items of historical interest; 20,000 works of art and 3 million photographs.
The museum has two permanent exhibitions, one called "The Stockholm Exhibition - Based on a true story". The first part of the Stockholm exhibition was opened in 2010. It tells the history of Stockholm from the first sign of settlements until the future ideas of children. It is all about buildings, streets, parks and water as well as of the inhabitants who fills the city with life. At the exhibition you may also find a unique painting of Stockholm during the 17th century. The second part of "The Stockholm Exhibition" was opened in April 2011. It focuses on the later part of the history of Stockholm.
The other permanent exhibition "About houses - Architecture & building preservation in Stockholm" guides the visitor through different historical building styles and show examples from the end of last century until the 1970s. Among kitchen cabinets, wallpapers and door handles, you get knowledge of that which is typical of the times and in many cases worthy of preservation.
Aside from the permanent exhibition and the main exhibitions, the museum most often has a few smaller exhibitions open, such as photographic exhibitions.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.