Dominican Church

Vienna, Austria

The first church on the site of current Dominican Church was built in 1237 by the newly arrived Dominicans on a parcel of land allotted in 1225-1226 by the duke Leopold VI. The church was enlarged between 1240–1270 and a new choir was added in 1273. A series of fires caused the construction of a new Gothic church between 1283 and 1302. The nave was extended between 1458 and 1474. This church consisted of a nave with five cross vaults, and two aisles.

This church was heavily damaged during the first siege of Vienna by the Turkish army in 1529. The choir was demolished and the nave was partly taken down. The building became more and more dilapidated later.

The new-found self-awareness of the Counter-Reformation didn’t allow any more such a sorry state for a church. In 1631 the Dominicans started to build a new oblong church with a dome, following the plan of Jacopo Tencala, architect of Prince Maximilian of Liechtenstein. The master builders were Jacopo Spacio, Cipriano Biasino and Antonio Canevale. They introduced to Vienna the Baroque style of Italy. The first stone was laid by emperor Ferdinand II on 29 May 1631. The structural work was finished in 1634. The church was consecrated on 1 October 1634. The finishing touch was finally given in 1674. The church was elevated to the status of basilica minor in 1927.

The impressive facade was built in the Roman-Lombardic style with dominant columns, supporting the cornice. Its architecture goes back to early Baroque churches in Rome, that in turn, rely on the facade of the Dominican church Santa Maria Novella in Florence. Above the portal one can see the statues of St. Catherine of Siena and Agnes of Montepulciano, kneeling at the feet of Our Lady, patron saint of this church.

The ornate interior is imposing by its architecture and the exquisite stucco in the decorations. Semi-circular windows allow a soft light on the frescoes of the barrel-vaulted ceiling. These are the work of Matthias Rauchmiller (1675), showing in their color and composition the influence of Peter Paul Rubens. They depict in 46 scenes the life of Our Lady.

The apse is dominated by the imposing red-marbled wooden retable in Baroque style from 1839-1840 by Carl Roesner. The gilded pulpit dates from 1700 and was made by Matthias Steinl.

References:

Comments

Your name



Details

Founded: 1631
Category: Religious sites in Austria

More Information

en.wikipedia.org

Rating

4.7/5 (based on Google user reviews)

User Reviews

mamagaldino (7 months ago)
Another Viennese church on the guide book walking tour. They are all impressive but easy to zone out after a while.
Ken Meyer (8 months ago)
Amazing interior. Quite cold inside, probably great for summer. Some of the artwork really seems to put Mary at the center though. Jesus alone gives us eternal life.
Alex Segalés (9 months ago)
Extraordinary catholic church at the heart of Vienna. Sublime atmosphere composed by impressive paintings, trascendent silence and wodden confession boxes. Perfect for a pause in your visit of always busy Vienna-center.
Tracey Thoen (2 years ago)
A beautiful church worth the visit. The detail that went into this church is stunning. Take a moment and stop in to admire. The pipe organ is beautiful.
Zachary Gaber (2 years ago)
This church surprised me. I'd seen a few photos but they hadn't prepared me for how spectacular the place is. The vivid white stucco walls are broken up by fresco panels that are inset like jewels. It's like nothing else I've encountered before. It really does succeed at what I think is one of the primary aims of church architecture: creating a space where you really can feel the divine (whether or not you believe in it).
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Temple of Edfu

The Temple of Edfu is one of the best preserved ancient shrines in Egypt. It was built in the Ptolemaic Kingdom between 237 and 57 BC.

Edfu was one of several temples built during the Ptolemaic Kingdom, including the Dendera Temple complex, Esna, the Temple of Kom Ombo, and Philae. Its size reflects the relative prosperity of the time. The present temple initially consisted of a pillared hall, two transverse halls, and a barque sanctuary surrounded by chapels. The building was started during the reign of Ptolemy III Euergetes and completed in 57 BC under Ptolemy XII Auletes. It was built on the site of an earlier, smaller temple also dedicated to Horus, although the previous structure was oriented east–west rather than north–south as in the present site.