La Villasse, Vaison-la-Romaine, France

The Roman ruins of Vaison-la-Romaine are among some of the most important in France. Easily accessible, the two main sites that are open to the public - Puymin and La Villasse - can be found in the town centre. At la Villasse there is a Roman street leading to more baths, and the Maison au Buste d’Argent, an impressive villa with mosaic floors and its own baths.

User Reviews

pierre Dusein (4 years ago)
Very warm welcome. Impeccable bedroom and living space. Kitchen area available. Very nice and good breakfast. A stopover to recommend.

Julien Ayme (5 years ago)
What happiness, here is among other things that seduced us in this pretty guesthouse in the heart of Vaison la Romaine: The originality of the place, we cross the flea market for access to the room. The smell of wood. Visit and tasting advice. The friendliness and availability of the owner

La Manescale (5 years ago)
The reception was at the top, Julien made us feel at home! The house is fantastic, full of small curiosities, with a beautiful patio and a very pretty terrace. It is a unique experience, in the evening you have the impression of living in a mysterious flea market, during the day it takes on the ambiance of a warm Spanish inn! The two bedrooms are tastefully arranged with dream bathrooms!

Featured Historic Landmarks, Sites & Buildings

Photo from Flickr, copyright santiagolopezpastor

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Roman Theatre

The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.

The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.

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