Santo Stefano is the third largest monastery church in Venice. Built by the Augustinian Hermits in the 13th century, it was re-structured a century later, and subsequent embellishments made it into one of the finest examples of Venetian Flamboyant Gothic architectures. On the fourteenth-century façade in brick, the superb marble portal is highly underlined, work by Bartolomeo Bon. The church was reconsecrated in 1374.
The sacristy contains a veritable museum with some of the great names in Venetian Renaissance art. On the side walls there is the 'Last Supper' (1579-80), 'The Risen' (1565 ca.), 'Christ Washing the Apostles Feet' (1579-80), and 'Christ in the Garden of Gethsemane' (1579-80) by Jacopo Tintoretto, works contemporaneously realized for Scuola di San Rocco, and a 'Sacred Family with Maria Maddalena and Saint Caterina' (1528-30) by Bonifacio De 'Pitati.
Of other significance there is 'Saint Nicola from Bari' and 'Saint Lorenzo' (1475 ca.) by Bartolomeo Vivarini which both place side by side to 'The Crucifixion' (1775 ca.) by Giuseppe Angeli; above there is the 'Martyrdom of Saint Stefano' (1630 ca. - 1638) by Sante Peranda.
On the opposite side you will find 'The Escape from Egypt', 'The Adoration of the Magicians', and the 'Massacre of the Innocents' (1733) by Gaspare Diziani.
In the sacristy there is also a museum of sculpturs where a fine sculptur of 'Saint Sebastiano' by Tullio Lombardo is found. Such as 'Saint Andrea' and 'Saint Girolamo' (1476-1480 ca.) by Pietro Lombardo and his assistants, and a beautiful sculpture by Antonio Canova; the 'Stele Funeraria del Senatore Giovanni Falier' (1808).
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.